Community kathak performances

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Chhandika Youth Ensemble, community performances, George Ruckert, Gretchen Hayden, Hamsadhwani, Hindu Heritage Day, Kaliya Daman, kathak, New York Dance Festival, New York Dance Parade

May seems to be shaping up to be Community Performance month. Coming up on May 11th, Chhandika will be delighted to participate in the International Night festivities at the Peirce Elementary School in Arlington, MA. Five young kathakas ages 7 to 8 will perform the story of Kaliya Daman–young Krishna battling the water serpent Kaliya–with choreography by Pandit Chitresh Das. Following them will be three members of the Chhandika Youth Ensemble performing a version of the Hamsadhwani Tarana, composed by George Ruckert and choreographed by Gretchen Hayden.

On May 19th, two performances will be taking place, one in Marlboro, MA, and one in New York City. May 19th is Hindu Heritage Day in Massachusetts, and members of Chhandika’s Youth Ensemble will perform a cultural event put on by the World Hindu Council of America.

 

 

 

At the same time, dancers Ashyka Dave and Dien Magno, students of Pandit Chitresh Das, as well as Shefali Jain, a student of Gretchen Hayden, will be dancing at the New York Dance Parade and Festival at Tompkins Square Park. This is a massive, dazzling and uplifting event, free to the public. Anyone in NYC is urged to go catch some beats that day!

No kathak in this short clip, but what a celebration of dance!

Click here to share and invite people to the kathak segment.

Video of a kathak yoga segment from “Kathaka: An Inside Story”

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Annual Show, chakkars, Chhandika, harmonium, Kathak Yoga, kathaka, Sareena Avadhany, Shefali Jain, tarana

Chhandika’s 2012 Annual Student Show, “Kathaka: An Inside Story” was a great success, with over 75 students performing at all levels, eager to demonstrate bols, footwork, storytelling, spins, and taranas. And here is a mesmerizing clip of Shefali Jain and Sareena Avadhany performing a piece in “kathak yoga” style, i.e. singing lahera, playing harmonium and dancing complex rhythms with lightning fast footwork… all at once. Put aside a few minutes: you’ll want to watch this a few times.

 

Kathaka: An Inside Story – The Chhandika Annual Show

Tickets now available for the show! Reserve tickets at inquiries@chhandika.org, or purchase them at the door on Sunday, March 25th.

The Making of “Darbar”

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Asian Art Museum, Chitresh Das Dance Company, Darbar, Mughal Courts

Click here for a link to photos, video and written pieces on the making of Darbar, the Chitresh Das Dance Company’s newest and lavish production, about to have its premiere at the San Francisco Asian Art Museum.

 

Pandit Chitresh Das and Jason Samuels Smith on tour in India

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Fastest Feet in Rhythm, Jason Samuels Smith, kathak, Labonee Mohanta, Pandit Chitresh Das, tap

Pandit Chitresh Das and Jason Samuels Smith, the “Fastest Feet in Rhythm,” are wrapping up a 5 city India tour, ending with a solo performance by Pandit Das at 8:30 pm tonight at the Darpana Academy of Performing Arts in Ahmedabad. Pandit Das and Jason Samuels Smith were in Chennai on 1/22, Mumbai on 1/26, Bangalore on 1/29 and Goa on 1/31, performing to packed and enthusiastic audiences.

Pandit Das, master kathak dancer, and Jason Samuels Smith, Emmy award winning jazz tap dancer, began a collaboration over eight years ago which has yielded an almost magical partnership with some phenomenal dance outcomes. (And mark your calendars for their upcoming performance in Boston on April 20-22!)

Pt. Das and Jason Samuels Smith in Chennai, India, Jan 2012, photo by Moogambirai R.

This photo and others from the Chennai performance available to view here.

Click here for an interview with Jason in Deccan Chronicle, and here for a review of the Mumbai performance.

And below is a note from Labonee Mohanta, a dancer and performer with the Chitresh Das Dance Company, that captures the exhilaration and energy of the tour:

Namashkar all,

After Guruji’s Mumbai solo, we headed out to Chennai on an early flight.  We land, get to where we’re staying, and makeshift a rehearsal room for Fastest Feet.  We find a piece of broken / crooked wood that Jason somehow can rehearse on.  Jason and Guruji start pounding away- the energy is brought to Chennai immediately.  We then proceed to a press meet where newsreporters are awaiting, cameras are flashing, and Jason, Guruji, Seema, Seema’s cousin Suraj and other Kirtilal members are lined up behind the podium in their jewelry store in front of jewelry that we cannot fathom the price of.  There they speak about bringing the classical art of the Shinde jewelry exhibition together with the classical art show of Fastest Feet.  The next day is extremely exhausting, as the sound / tech people are trying to scramble together such a highly fine-tuned, technical production.  Guruji performed Sita Haran, and in this particular show he had the mridangam player Ramakrishnan as well… so the stage came alive in a special way with the rhythms and stories of South India ringing in everyone’s ears as they completed their 1st show of the Fastest Feet Winter tour.

Back to Mumbai – this was yet another special show for so many reasons!  Fastest Feet clearly has much love here in Mumbai!  The two days before the show we had press (newspapers, TV, radio, etc.) over interviewing Guruji and Jason.  In addition to Fastest Feet, we opened the show with children of Chhandam-Mumbai giving the invocation.  [Roaring claps from the 1000-seat sold-out audience!!]  Then an advanced young childrens’ group performing, to the adults performing a very catchy piece to Debashisda singing a Rajasthani tune.  After that I performed, and then Fastest Feet began.  This was a really significant beginning because it represented the legacy that Guruji created in India!  And the show being done on India’s Republic Day- how fantastic.  Seema Mehta spearheading all of this on her own, added the perfect touch by putting a giant Indian flag in the backdrop for this auspicious occasion.  Then every single piece in Fastest Feet gets roaring claps of thunder and shouts, waves of energy being bounced back and forth between Guruji, Jason, the musicians, and the audience… sheer excitement and joy emanating from TATA Theater for 2 hours straight!  Finishing emotionally with Raghupathi Raghava and Sare Jahan Se Accha, Guruji and Jason bowing down to the flag, and then ending in each others arms… magical.

Labonee

Kathak oasis

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Gretchen Hayden, kathak, kathak class, studio

By Anjali Mitter Duva

A couple of years ago, a photojournalism graduate student from Boston University named Varsha Yeshwant approached Chhandika, the dance group with which I am closely affiliated, asking for permission to create a multi-media project around our dance. Specifically, she said: “I want this to serve as a small window into the world of Kathak and the culture of the dance outside India. I want it to show the involvement of the students and the teachers in order to pursue a form of dance that is not widely known by the society here.”

Below is the short result of this work. Take a moment (1:29 minutes, to be precise) to appreciate the simplicity of the scene, the peaceful atmosphere despite the pounding feet, the understated grace and integrity of the teacher, the sheer joy of simply being present that emanates from her and the students. There is nothing dazzling in the movements themselves, nor in the outfits—this was a series of informal practice sessions and classes with a mixed level group of students—but the overall effect is powerful. This is what our classes are all about, keeping something so special alive.

The sunlight streaming onto the hardwood dance floor, the harmony of thousands of ankle bells in unison, the other-worldliness of the singing and movements, the red tassles of the bronze-colored hand cymbals, the warmth and dedication of the teacher, Gretchen Hayden, these images and feelings that Varsha captured are precisely what drew me in to class eleven years ago.

Building bridges through dance

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Chinese dancer, cultural bridge, dancer, kathak, Zhan Jun

What better way to start off this blog than by highlighting the way in which kathak crosses borders—cultural, generational, geographic? Another local dancer forwarded an article in The Hindu about the passing of Zhang Jun, a Chinese dancer who first arrived in India in 1954, nineteen years old and tasked with building a cultural bridge between China and India. Take a moment to look through the pictures. They speak of another era, of sustaining a classical dance when the political environment (in this case the Chinese Cultural Revolution) is against it, of the passion of a single person and its ability to inspire thousands of others, of the meaning of the arts in society, of the transcendence of dance.

(Update on 1/17/12: a more in-depth article about her life is available here.)

Photo courtesy of Zhang Jun's family

 

 

Announcing: Chhandika’s blog

Welcome to the blog and news site of the Chhandam Institute of Kathak Dance (Chhandika). We are excited to launch this new project. Check back often for weekly posts on our events and programs; kathak dance throughout the region and the world; reviews and articles; discussion of South Asian dance and music in the Greater Boston area; insights from our students, teachers and community at large; photos and video and more.