By Anjali Mitter Duva
A couple of years ago, a photojournalism graduate student from Boston University named Varsha Yeshwant approached Chhandika, the dance group with which I am closely affiliated, asking for permission to create a multi-media project around our dance. Specifically, she said: “I want this to serve as a small window into the world of Kathak and the culture of the dance outside India. I want it to show the involvement of the students and the teachers in order to pursue a form of dance that is not widely known by the society here.”
Below is the short result of this work. Take a moment (1:29 minutes, to be precise) to appreciate the simplicity of the scene, the peaceful atmosphere despite the pounding feet, the understated grace and integrity of the teacher, the sheer joy of simply being present that emanates from her and the students. There is nothing dazzling in the movements themselves, nor in the outfits—this was a series of informal practice sessions and classes with a mixed level group of students—but the overall effect is powerful. This is what our classes are all about, keeping something so special alive.
The sunlight streaming onto the hardwood dance floor, the harmony of thousands of ankle bells in unison, the other-worldliness of the singing and movements, the red tassles of the bronze-colored hand cymbals, the warmth and dedication of the teacher, Gretchen Hayden, these images and feelings that Varsha captured are precisely what drew me in to class eleven years ago.